![]() ![]() but we not gonna count the 4-5 times I got my settings wrong!). What I did was figure out what I needed physically first (after messing things all up my first couple times trying to get my settings right. I'm assuming you know these setting get changed right on the Saffire mixer program. I have tried other settings that have worked perfectly fine with even lower latencies, but these are the settings that I settled with because of my ADAT needs. This gives me an overall latency of 7.88ms in Live (3.13ms in and 4.75ms out). for me, I put my 'Firewire Driver Latency' on medium and my "Asio Buffer Size' on 128 and my 'Sample Rate' at 48kHz. That's going to depend on YOUR computer and YOUR OS setup and YOUR needs. ![]() I absolutely LOVE it, and I LOVE the VRM for my night sessions (especially because the 'Pro Studio - US Yellow Cone PRO' with my Sony MDR-7506 headphones, matches the sound of my real monitors perfectly! There have been times when I had to take the headphones off to double check that I actually turned my monitors off cause it sounded so real).īut latency. NOT any longer, with USB4 and Thunderbolt coming as standard to all PCs the future looks more cheerful.I got the same thing about 2 months ago. anyone wants some looms?īut best of all, Firewire which had appeared to be dying a slow and painful death. ![]() Think before you buy, the idiot I am, bought far too many looms that were far too long and looked a complete mess, being sorted. Great thing about using the patch is most of the static routing cables are hid at the back, I am still currently in the process of making up my custom SHORTER patch loom leads before I stuff it all in a cabinet. Yes this means you might have a lot of cables, buy one 5 mtr loom and cut it down to size then buy yourself some extra XLR and Jack plugs solder them and you get all the cables you will need for a reasonable cost. With the DI Pro you can route all your guitar takes, straight raw clean from DI Box, DI from amp, mics from cabs, you can take up to 8 different separate recordings from each take. I also use the XLR for outputs through to stage monitors/amps and I use jacks on the stage box for the guitar. I use a snake stage box and the XLR mic inputs go straight into the line splitter ( MS8000) and the instruments go into the DI Pro 8000 and through a Samson S-Patch into my Liquid 56 - unlimited flexibility. All down to your imagination and desires. Using a DIPro 8000 and all 8 XLR inputs can take instruments as mics (balanced) add a line splitter and S-Patch and you can have great fun over budding or taking multiple recordings per take. And thats as standard without any hardware or software to boost things further and beyond. You get 2 headphone out, 8 mic pre amps two of which have (Liquid) effects, you get two dedicated instrument inputs, it offers Phanton HPF and phase on all 8 inputs. who hasn't?Īccepted Focusrite have not updated the mix control to the later GUI version but give it time you realise it works perfectly well, if a little over complicated. Run VOicemeeter or any other virtual cabling software and you can further increase your outputs I have mine going through a 7.1 amp for fun and my studio monitors for mastering and the onboard outputs go to amps and cabs so yip a fair few speakers kicking about this place. Add a AD/DA converter and you are starting to get serious. With 16 inputs (8 XLR and 8 TRS) 8 outputs (including 7.1 or just split the instruments into separate output channels)) this unit is a beast comparing it to what you would get for your money new. These might appear to some as old almost an obsolete audio interface but you would be fooling yourself. ![]()
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